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17cÍřŇł°ć Tech 17cÍřŇł°ć Presents:
DRIVE | DESIRE | DESTINY

17cÍřŇł°ć Tech 17cÍřŇł°ć Presents:
DRIVE | DESIRE | DESTINY

Thursday, April 9th, 2026
7:30pm
Ferst Center

17cÍřŇł°ć Tech Symphony Orchestra

Dr. Chaowen Ting, Conductor

The concert begins with the mechanical, high-energy rhythms of Jennifer Jolley’s Motordom, followed by Sibelius’s Violin Concerto in D minor, Op. 47, featuring 2025 GTSO Concerto Competition winner Adrian Cheung. This cornerstone of the repertoire is beloved for its technical demands and soulful, Northern character. The concert concludes with Wagner’s Prelude and Liebestod from Tristan und Isolde, featuring mezzo-soprano Aubrey Odle. This profound work weaves a rich orchestral tapestry, leading the audience through a journey of yearning toward one of music’s most celebrated finales.

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Program

Motordom (2021)
Jennifer Jolley (b. 1981)
Violin Concerto in D minor, Op. 47 (1905)
I. Allegro moderato
II. Adagio di molto
III. Allegro, ma non tanto
Jean Sibelius (1865—1957)

Adrian Cheung, violin
“Prelude and Liebestod” from Tristan und Isolde (1859)
Richard Wagner(1813—1883)

Aubrey Odle, mezzo-soprano

Program Notes: Motordom

Motordom is my musical interpretation of artist Keith Sonnier’s light installation entitled “Motordom.” It is found in front of the District 7 Caltrans building in downtown Los Angeles. Shifting patterns of red and blue light, generated in neon and argon tubes, develop in horizontal bands all around the lobby of the Caltrans building. The tubes evoke taillights streaming down the freeway. — Note by Jennifer Jolley

photo of composer Jennifer Jolley

Composer Bio – Jennifer Jolley

Jennifer Jolley (b. 1981) is a composer, conductor, and professor whose work is founded on the belief that the pleasures and excesses of music have the unique potential to engage political and provocative subjects. Addressing a range of topics such as climate change, #MeToo, and feminist history, Jennifer strives to write pieces that are equally enjoyable and meaningful.


Her works have been commissioned and performed by ensembles worldwide, including the Dallas Winds, the Vermont Symphony Orchestra, and the Quince Ensemble. She is currently an Associate Professor of Music Theory and Composition at Lehman College in the Bronx and has been a member of the composition faculty at Interlochen Arts Camp since 2015.


For more information, visit:

Text and Translation: Prelude and Liebestod

Lyrics

Mild und leise, wie er lächelt
Wie das Auge hold er öffnet,
seht iht, Freunde?
Seht ihr’s nicht?
Immerlichter, wie er leuchtet
Sternumstrahlet hoch sich hebt?
Seht ihrs nicht?
Wie das Herz ihm muthig schwillt
Voll und hehr im Busen ihm quillt?
Wie den Lippen, wonnig mild,
sĂĽsser Athem sanft entweht
Freunde! Seht!
Fühlt und seht ihr’s nicht?
Höre ich nur diese Wiese
Die so wundervoll und leise
Wonne klagend, Alles sagend,
      mild versöhnend         
Aus ihm tönend, in mich dringet,
auf sich schwinget
Hold erhallend um mich klinget
Heller schallend, mich um wallend,
sind es Wellen sanfter LĂĽfte?
Sind es Wolken wonniger DĂĽfte?
Wie sie schwellen, mich umrauschen,
soll ich athmen, soll ich lauschen?
Soll ich schlĂĽfgen, untertauchen?
SĂĽĂź in DĂĽften  mich verhauchen?
In dem wogenden Schwall
in dem tönenden Schall
In des Weltathems, wehenden All
Ertrinken, versinken, unbewusst
Höchste Lust!

Translation

Softly and gently, see him smiling
How the eyes that open fondly,
see it, Friend?
Don’t you see?
Ever lighter, how he’s shining
Borne on high amongst the stars?
Don’t you see?
How his heart so bravely swells
Full and calm it throbs in his breast?
As from lips so joyfully mild,
sweet the breath that softly stirs
Friends! Look!
Don’t you feel and see it?
It is only I that hear this way
So wondrous and gentle
Joyously sounding, telling all things, 
            reconciling
Sounding from him, penetrating me,
rising upward swinging on itself
Echoes fondly around me ringing
Ever clearer, wafting round me,
are they waves of gentle breezes?
Are they clouds of gladdening sweet fragrance?
As they swell and murmur round me,
shall I breathe them, shall I listen?
Shall I sip them, plunge beneath them?
Breathe my last amid their sweet smell?
In the billowy surge,
in the gush of sound
In the World’s Spirit’s, Infinite All
To drown now, sinking, unconscious, void of all thought
Highest Desire!

photo of soloist Adrian cheung

Soloist Bio – Adrian Cheung

Adrian Cheung is a fourth-year violinist with the GTSO and a computer science student from Virginia. He studies with Emily Daggett Smith of the Vega String Quartet and was previously under the tutelage of June Huang. Adrian's artistry has brought him to prestigious venues, including Carnegie Hall and the National Gallery of Art. He has performed with the US Army Orchestra and worked with various artists from the National Symphony Orchestra, Philadelphia Orchestra, and Atlanta Symphony Orchestra. Adrian is also an active chamber musician and pianist, and some of his favorite composers are Rachmaninoff, Mahler, and Sibelius.


As he approaches graduation next month, Adrian is thrilled to share his dream concerto with everyone under the baton of Maestra Chaowen Ting. He dedicates this performance to the friends, family, and mentors who have supported him throughout his musical journey.

photo of composer aubrey odle

Soloist Bio – Aubrey Odle

Aubrey Odle, mezzo-soprano, is the 2025 Second Prize winner of the Butler International Vocal Competition and a recipient of the 2024 Sullivan Foundation Award. Recognized for her commanding stage presence and rich tone, she performs a wide range of dramatic and lyric mezzo-soprano repertoire.


In 2025 she made her mainstage debut with The Santa Fe Opera as Siegrune in Die WalkĂĽre, where she also covered Mrs. Grose in The Turn of the Screw. Her 2026 engagements include Larina in Eugene Onegin as a Filene Artist with Wolf Trap Opera, in addition to concert appearances in the Atlanta area.


Aubrey completed two seasons as a Studio Artist with The Atlanta Opera, appearing as Lady-in-Waiting in Macbeth, Siegrune in Die Walküre, Giovanna in Rigoletto, and covering Second and Third Lady in Die Zauberflöte and Hippolyta in A Midsummer Night’s Dream. Additional highlights include performances with Des Moines Metro Opera, Lyric Opera of Kansas City, Knoxville Opera, and Utah Lyric Opera in roles such as Judith (Bluebeard’s Castle), Carmen/Mercédès (Carmen), Flora (La traviata), and Maddalena/Giovanna (Rigoletto).


In concert, she has appeared with The Santa Fe Orchestra, Arkansas Symphony Orchestra and Utah Valley Symphony. Further honors include recognition from Opera Birmingham, The National Opera Association, the Orpheus Vocal Competition, and The American Prize competition.

Ensemble Members

Violin I

Major

Adrian Cheung, Co-concertmaster

Computer Science

Daeyong Kwon, Co-concertmaster

Computer Science

Jeffrey Xu

Computer Science

Zach Tseng

Biochemistry

Gene Chang

Computer Science

Nathan Lin

Computer Science

Vidhyuth Sriram

Mechanical Engineering

Ella Grace Malcom

Finance

Carol Li

Mechanical Engineering

William Lu

Electrical Engineering

Sila Keha

Industrial Engineering

Allen Xu

Mathematics

Aaron Wang

Computer Science

Ansel Erol

Computer Science

Hannah Lee

 

Violin II

 

Justin Wong, Principal

Electrical Engineering

Jaya Sauter

Aerospace Engineering

Cooper Fister

Biology

Christopher Linder

Computer Science

Alicia Li

Industrial Design

Megan Chen

Human Computer Interaction

Amber Li

Industrial Engineering

Angelina Lee

Industrial Engineering

Leo Liu

Aerospace Engineering

Ariana Syed

Neuroscience

Kyle Jiang

Electrical Engineering

Leyah James

Neuroscience

Sara Takagi

Biomedical Engineering

Jiyoon Park

Biology

Viola

 

Tyler Bothwell, Principal

Chemistry

Justin Zhou

Computer Engineering

Lyudmila Piatkov

Biomedical Engineering

Daniel Kim

Computer Science

Brandon Marshall

Computer Science

Erika Tay

Computer Science

Jasmine Gistren

Chemical and Biomolecular Engineering

Emma Axelson

 

Cello

 

Sean Yoshihara, Principal

Computer Science

Joseph Tappen

Mechanical Engineering

Will Deinzer

Computer Science

Caitlyn Chen

Business Administration

Nathan Shepherd

Computer Engineering

Salome Ho

Industrial Engineering

Grady Jenkins

Aerospace Engineering

Hailey Hackbarth

Civil Engineering

Albert Kuo

Mechanical Engineering

Ryan Wang Stover

Aerospace Engineering

Benjamin Borthwick

Materials Science and Engineering

Bass

 

Atharva Gujrathi, Principal

Aerospace Engineering

Ethan Huang

Industrial Engineering

Hazel Patty

Industrial Engineering

Irene Achanti

Industrial Engineering

 

Flute

 

Isabel Edgcomb

Aerospace Engineering

Yoojin Jeong:, Piccolo

Neuroscience

Alex Yang~’

Economics

Oboe

 

Stephanie Beck

 

Shaya Farahmand~’:

Computer Science

Liam Nunn, English Horn

Civil Engineering

Clarinet

 

Alex Hunt, Bass Clarinet

Computer Engineering

Jiho Jun~’

Electrical Engineering

Joseph Lee:

Biomedical Engineering

Bassoon

 

Ahmad Duncan

 

Rowan Porteous

Music

Hannah Tourial~’:

Industrial Engineering

Horn

 

Jason Dunn’

 

Henry Garcia~

Electrical Engineering

Kathryn Hughes

Chemical and Biomolecular Engineering

Carlos Sanchez:

Biomedical Engineering

Trumpet

 

Mason Beyke~’

Psychology

Sophie Huang:

Music

Jensen Stahr

Aerospace Engineering

Trombone

 

Jonatan Gonzalez’

Aerospace Engineering

Ben Harris~:

Civil Engineering

Malachi Joseph

Music

Tuba

 

Trent Rotter

Chemical Engineering

Harp

 

Jocelyn Chang

Computer Science

Keyboard

 

Bingyue Deng

Music Technology; Computer Science

Percussion

 

Benjamin Badinger

Material Science and Engineering

Nathan Chou

Computer Science

Fischer Jehs

Electrical and Computer Engineering

Denotes principal player: ~Jolley, ’Sibelius, :Wagner

17cÍřŇł°ć Tech 17cÍřŇł°ć

Through interdisciplinary degree programs, outstanding performance ensembles, and innovative research endeavors, the 17cÍřŇł°ć Tech 17cÍřŇł°ć cultivates a rich legacy of musical traditions and develops cutting-edge technologies to help define music's future. The School serves students in bachelors, masters, and doctoral programs in music technology and offers innovative performance opportunities, courses, and cultural and artistic experiences for students throughout the Institute.