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17cҳ Tech 17cҳ Presents:
Chorale + Chamber Choir Joint Fall Concert
17cҳ Tech 17cҳ Presents:
Chorale + Chamber Choir Joint Fall Concert
Sunday, November 16th, 2025
2:30 pm
Central Presbyterian Church of Atlanta
201 Washington St. SW, Atlanta, GA 30303
B.E. Boykin, Chorale conductor
Joshua Palkki, Chamber Choir conductor
Zack Wright, Collaborative Artist
Binyue Deng, Pianist
Corey Raymond, Percussionist
Program
Chorale
- This song is a gospel song of praise that translates - “Our eyes are strong and fighting for God’s glory.”
- “Non nobis, Domine, non nobis; sed nomine tuo da gloriam”, is the well-known Latin translation of Psalm 115:1: “Not unto us, O Lord, not unto us; but to your name be the glory.”
- Please see lyrics and translation below
Soloist - Christian Escarment
arr. Kirby Shaw
Soloist - Anthony Alexander
Pianist - Binyue Deng
Percussion - Corey Raymond
Chamber Choir
(see lyrics and program notes below)
Keenan Vaughn, soloist
- 1. Marlene Part 1
- 2. Dancing in buses
- 3. Marlene Part 2
- 4. More milk, more milk makes it better
- 5. Marlene Part 3
- 6. #UndocuJoy
- 7. Marlene Part 4
- 8. #UnitedWeDream
- Featuring poems written and read by Tristan Smith and AJ Chadha
Nathan McAlpine, percussion
arr. Moses Hogan (1957-2003)
Lyrics
Mata del Anima Sola
Text by Alberto Arvelo Torrealba (1905-1971) [Venezuela]
LYRICS | TRANSLATION |
Mata del ánima sola, boquerón de banco largo ya podrás decir ahora aqui durmió canta claro. pilin, pilin, pilin,.... Con el silbo y la picada de la brisa coleadora la tarde catira y mora entró al corralón callada. pilin.... La noche, yegua cansada, sobre los bancos tremola la crin y la negra cola y en su silencio se pasma tu corazón de fantasma. Mata del ánima sola, .....
| Tree of the soul lonely, wide opening of the riverside long now you will be able to say: Here slept Cantaclaro. pilin, pilin, pilin,.... With the whistle and the sting of the twisting wind, the dappled and violet dusk quietly entered the corral. pilin, .... The night, tired mare, shakes her mane and black tail above the riverside; and, in its silence, your ghostly heart is filled with awe.
|
Deus in adiutorium meum intende
Juan Gutiérrez de Padilla (1590-1664)
LYRICS | TRANSLATION |
Deus in adiutorium meum intende: Domine ad adiuvandum me festina. Gloria Patri, et Filio, et Spiritui Sancto. Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen. Alleluia.
| O God, reach forth to my aid; O Lord, hasten to help me. Glory be to the Father, to the Son, and to the Holy Spirit. As it was in the beginning, is now, and ever shall be, world without end. Amen. Alleluia!
|
American DREAMers
Melissa Dunphy (b. 1980)
Text by Marlene Rangel, Javier Zamora, Janine Joseph, Julia Montejo, and Claudia D. Hernández
LYRICS |
Marlene Part 1 By Marlene Rangel
I was eight years old when I left my home. I remember my parents waking me to leave, but I didn’t know where we were going. We had to walk for a long time and cross a river. That’s when I realized that we were going somewhere far.
Dancing in Buses By Javier Zamora*
Pretend a boom box blasts over your shoulder. Raise your hands in the air. Twist them as if picking limes. Look to the right as if crossing streets. Look to the left, slowly as if balancing orange baskets. Bend as if picking cotton. Do the rump. Straighten up as if dropping firewood. Rake, do the rake. Sweep, do the sweep. Do the Pupusa- Clap-finger dough clumps. Clap. Do the Horchata-Scoop— your hand's a ladle, scoop. Reach and scoop. Now, duck. They're shooting. Duck under the seat, and don't breathe. Hands behind your head. Drop down. Look at the ground. Roll over. Face the mouth of the barrel. Do the protect-face-with-hand. Don't scream.
*"Dancing in Buses" from Unaccompanied. Copyright © 2017 by Javier Zamora. Used with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press www.coppercanyonpress.org. All rights reserved worldwide.
Marlene Part 2 By Marlene Rangel
My dad would come to school with me for the first few weeks so I could get used to it. It was so hard... I had one classmate who was Hispanic. He and I became good friends. As the years passed, my English improved and I adjusted to the American culture. Everything had fallen into place and I was comfortable.
More milk, more milk makes it better By Janine Joseph
In 1986, when I was three and a half years old I won an award for sitting cute and biting into a slice of Kraft Cheddar Cheese. Then how my star blew up:
I was on the cover of calendars, in the Sunday section, stomping the runway, turning down small parts in movies. At seven, I promised my mom I would never
be chubby again. No way. I swirled a dress in the dressing room and was the daughter my brothers hated. Nothing could stop me, not even America with its rich
marshmallow cereals. But the milk, oh God the grade A, vitamin D milk. No one knew what it was doing to me. Little Miss Piggy drinking 8 oz. by the kidney-bean pool.
All my life it had been coconut juice, mango juice, and water. Little Miss Piggy mending her polka dot suit. It had been goat's milk and goat's milk. Little Miss Piggy clasping her knees to her chest
and winning the cannonball contest. I was small, indomitable, and could hide behind the couch with a stein. It was the drink of all the saints. It was worth all my work in the world.
Marlene Part 3 By Marlene Rangel
In my junior year of high school, reality hit me. I found out I could not go to college because I was undocumented. I wanted to be a nurse my dream wasn’t going to be easy to achieve.
#UndocuJoy By Julia Montejo
So today, remember that you are beautiful. You are creators, you are laughers, you are lovers, you are lights of hope and joy. Take the time you need to feel the pain. Know that even existing in the spaces you occupy is resistance. Know that, as we fight this battle for our dignity, you are souls of strength and power, but you’re allowed to feel vulnerable at times. Know that every moment of self-care you can find is still part of fighting this fight. Know that every time you paint your nails, dance in your room, eat a treat, laugh with your friends, run in the woods, or do anything that gives you joy, you are resisting a system that thinks we’re not worthy of even smiling. I believe in us. Together, we will overcome.
Marlene Part 4 By Marlene Rangel
My parents have remained my motivation to keep myself in school. I now know that anything is possible. I have the opportunity to be what I want and do what I want. I have to take that opportunity and not waste it.
#UnitedWeDream By Claudia D. Hernández
Aquí estamos. [we are here] This is where we found our home away from home. This is where we belong. Mother Earth, who feeds us all, takes our roots, their roots, no matter how long, how short— she’s whispering: this is where you belong. R E S I S T! R E S I S T! Pelea con diente y madre! [Fight with tooth and nail] This is where you belong, Dreamer! |
Ngothando
Mbuso Ndlovu
Featuring poems written and read by Tristan Smith and AJ Chadha
LYRICS | TRANSLATION |
Ngothando kuphela, Sonqoba konke, Izimo zonke, Azinakusigwinya.
Sivul' iinhliziyo zethu, Singesabi lutho, Ngothando... | Only through love, can we conquer everything; There is no situation that can swallow us;
Let us open our hearts and fear nothing! Through love only… |
The New Colossus
Saunder Choi (b. 1988)
Text by Emma Lazarus (1848-1887)
LYRICS |
“Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!” |
We Shall Walk Through the Valley in Peace
Spiritual, arr. Moses Hogan (1957-2003)
LYRICS |
1 We shall walk through the valley in peace; We shall walk through the valley in peace; If Jesus Himself shall be our Leader, We shall walk through the valley in peace.
2 There will be no sorrow there; There will be no sorrow there. If Jesus Himself shall be our Leader, We shall walk through the valley in peace.
3 There will be no dying there; There will be no dying there. If Jesus Himself shall be our Leader, We shall walk through the valley in peace. |
Your Soul is Song
Jake Runestad (b. 1986)
Text by Germán Aguilar
LYRICS |
Sing! When the seams burst, and the traps ensnare, and your body breaks, and the light flees— Sing then! For then, your soul is song. |
Program Notes for Chamber Choir
This semester, Chamber Choir students have been studying and preparing a program of choral music that speaks to the immigrant experience in the United States. We begin with a double choir motet by Juan Gutiérrez de Padilla (1590-1664), a Spanish composer who re-located to modern day Mexico and who held prominent teaching and leadership positions in Puebla. The text speaks of a person who needs help and is reaching out for divine guidance.
The majority of our program features American DREAMers, a 25-minute, 8-movement a cappella choral work in which Philadelphia-based composer Melissa Dunphy (b. 1980) sets poetry by 5 dreamers—immigrants who benefited from the government program, , that provides these individuals with protection from deportation and temporary work authorization. Most dreamers have lived the majority of their lives in the U.S., attend school here, and have strong ties to this country. Melissa Dunphy’s work uses four poems by Marlene Rangel as unifying pillars—four movements in which soloists sing her words accompanied by the choir. The work explores the harsh reality that immigrants face (Dancing in buses), the cultural differences that can cause confusion, sometimes comical, for those not born in the U.S. (More milk, more milk makes it better), the idea of lived experience as resistance to corrosive systems (#UndocuJoy), and a strong statement that “we are here and this is our home” (#UnitedWeDream). Perhaps the most profound statement in the work comes from the poem #UndocuJoy by Julia Montejo: “Know that even existing in the spaces you occupy is resistance. Know that, as we fight this battle for our dignity, you are souls of strength and power.” We hope that our performance of American DREAMers will uplift the voices of DACA recipients and other immigrants who, every day, little by little, make this country the multi-ethnic patchwork that has defined American greatness.
We continue with a set of three pieces—vastly different in style, but which speak to the importance of love and welcoming the stranger. South African composer Mbuso Ndlovu’s Ngothando, which is sung in iZulu, wrote that “The song is a message to the rest of the world that it is only through love that we can conquer the barriers that stand between us, the poverty and disease that surround us. Let's open our hearts and not fear the unknown. Let's search deep within ourselves, knowing that we do have enough resources.” The beginning of the piece features two poems written and performed by Chamber Choir members Tristan Smith and AJ Chadha. Next, we perform Saunder Choi’s brilliant and complex setting of a portion of “The New Colossus” by Emma Lazarus—the poem found at the base of the Statue of Liberty in New York City. Choi’s rhythmic setting utilizes a rhythmic breathing figure to illuminate the text “yearning to breathe free.” The composer drew inspiration from Lady Gaga’s “Poker Face” about how text can be repeated and fragmented throughout. We close this set with Moses Hogan’s arrangement of the Spiritual “We Shall Walk Through the Valley in Peace.” Even in the face of adversity, one can find strength in hope of a better tomorrow. Hogan’s simple but brilliant setting textually and musically demonstrates how a higher power can sustain a person through the struggle of life and beyond.
We close with Jake Runestad’s “Your Soul is Song,” a setting of a poem by Mexican-American immigrant Germán Aguilar (1979-2014), a choral conductor-teacher in Arizona and California (and graduate school classmate and dear friend of Dr. Palkki) before his tragic death at age 34. Composer Jake Runestad wrote, “After a difficult time in his life, Germán wrote this poem — a plea to the power of song and weathering the storms of life. Germán died of a massive aneurism in the middle of a concert, while he was singing, and I can't move beyond that image and the meaning it brings to these words. Life is not easy, and is never perfect, but there is so much beauty and joy to be found in song.”
We hope that these stories inspire you to reflect on the complexity of the immigrant experience in the U.S. today. Emma Lazarus’s poem so poignantly reminds us of the welcoming spirit of the U.S. towards those from other places: “Give me your tired, your poor, Your huddled masses yearning to breathe free.”
Ensemble Members
Chorale
Name | Major | Hometown |
| Soprano 1 | ||
| Annice Stephen | Computational Media | Suwanee, GA |
| Erica Landry | Computer Engineering and Music Technology | Atlanta, GA |
| Lily Johnson | Aerospace Engineering | Los Angeles, CA |
| Rhea Saravanan | Computer Science | Suwanee, GA |
| Zoila de Leon | Aerospace Engineering | North Miami, FL |
| Mayce Holland | Biomedical Engineering | Calhoun, GA |
| Soprano 2 | ||
| Amisha Kapoor | Electrical Engineering | Columbus, GA |
| Cyra Alesha | Industrial Engineering | Jakarta, Indonesia |
| Juliana Bluhm | Aerospace Engineering | Athens, GA |
| Madison Sanford | Aerospace Engineering | Acworth, GA |
| Ritika Bhardwaj | International Affairs, Biology | Dunwoody, GA |
| Shannon Leahy | Mechanical Engineering | Buford, GA |
| Alto 1 | ||
| Biana Akpokabayen | Mathematics | Johannesburg, South Africa |
| Clara Stickney | Physics | Richland, WA |
| Isabella Hsiung | Computational Media | Suwanee, GA |
| Meghan McLaughlin | Environmental Science, Chemistry & Biochemistry | St. Louis, MO |
| Meghana Jonnalagadda | International Affairs & Modern Languages | Frisco, TX |
| Nalini Kotecha | Biomedical Engineering | San Mateo, CA |
| Alto 2 | ||
| Lana Revere | Environmental Science | Newnan, GA |
| Sofia Pieton | Chemical Engineering | Waunakee, WI |
| Tomi Oladeji | Business Administration | Alpharetta, GA |
| Tenor | ||
| Caleb Spain | Music Technology | Bethlehem, GA |
| Christian Escarment | Business Administration | Buford, GA |
| DB Lee | Computer Science | Marietta, GA |
| James Hammock | Music Technology | Kite, GA |
| Olasubomi Adewale Ajayi | Computer Science | Dallas, GA |
| Owen Carroll | Chemical Engineering | Roswell, GA |
| Baritone | ||
| Vivvianne Phieireth | Music Technology | Woodstock, GA |
| Anthony Alexander | Music Technolog | Grayson, GA |
| Joaquin Friedman | Mechanical Engineering | Alpharetta, GA |
| Bass | ||
| Ben Offenberg | Mathematics | Canton, GA |
| Shyam Sivan | Aerospace Engineering | Suwanee, GA |
| Yadiel Narvaez Hernandez | Aerospace Engineering | Rio Piedras, Puerto Rico |
| Younos Hashem | Physics | Roswell, GA |
| Advaith Nair | Chemical Engineering | Cumming, GA |
Chamber Choir
| Name | Major | Hometown |
Soprano | ||
Kathryn Amstutz | Chemical and Biomolecular Engineering | Alpharetta, GA |
Rini Bokil | Computer Science | Alpharetta, GA |
Samantha Khanimov | Music Technology | Canton, GA |
Christine Ling | Analytics | Basking Ridge, NJ |
Neharica Mehendale | Industrial Engineering | Dallas, TX |
Oreoluwa Moradeyo | Electrical Engineering | Lagos, Nigeria |
Donaca Rose Tamayo | Physics | Marietta, GA |
Angelina Tong | Chemical and Biomolecular Engineering | Suwanee, GA |
Abigayle Williams | Environmental Science | Warner Robins, GA |
Caelan Wommack | Aerospace Engineering | Lorton, VA |
Jean Zhao | Computer Engineering | Beijing, China |
Alto | ||
Isadora Bokas | Aerospace Engineering | Cornelius, NC |
Emma Cameron | Biomedical Engineering | Augusta, GA |
Sophia Hawkins | Industrial Engineering | Sandy Springs, GA |
Femke Kovoor | Electrical Engineering | Potomac, MD |
Caroline Maxwell | Industrial Engineering | Bonaire, GA |
Nolan Midura | Chemical Engineering | Palos Hills, IL |
Kelsey Moller | Chemistry | Flowery Branch, GA |
Kendall Simmons | Industrial Engineering | Columbus, GA |
Shae Staples | Economics | Peachtree City, GA |
Sof Zambrano Molina | Music Technology | Mexicali, Mexico |
Tenor | ||
AJ Chadha | Computer Science | Chicago, IL |
William Dunn | Music Technology | Mount Pleasant, MI |
Elijah Johnson | Industrial Engineering | Dacula, GA |
Kailen McCauley | Computer Science | Williston Park, NY |
Owen Hammond-Lee | Mathematics | Decatur, GA |
Keenan Vaughn | Mechanical Engineering | Augusta, GA |
Fangji Wang | Robotics | Tianjin, China |
Bass | ||
Samuel Barnett | Economics | Alpharetta, GA |
Paul Conner | Computer Science | Augusta, GA |
Eddie Hamilton | Business Administration | Moultrie, GA |
Justin Hwang | Computer Engineering | Sunnyvale, CA |
Tejas Kohli | Computer Science | Duluth, GA |
Nathan McKee | Materials Science and Engineering | Kennesaw, GA |
Simon Renjifo | Neuroscience | Atlanta, GA |
Rajan Singh Sandhu | Electrical Engineering, Mathematics | New York, NY |
Tristan Smith | Chemical and Biomolecular Engineering | Bonaire, GA |
William Dwayne Starkey III | Mechanical Engineering | Flowery Branch, GA |
Benjamin Trussell | Mathematics | Kennesaw, GA |
William Tyler | Mechanical Engineering | Kennesaw, GA |
17cҳ Tech 17cҳ
Through interdisciplinary degree programs, outstanding performance ensembles, and innovative research endeavors, the 17cҳ Tech 17cҳ cultivates a rich legacy of musical traditions and develops cutting-edge technologies to help define music's future. The School serves students in bachelors, masters, and doctoral programs in music technology and offers innovative performance opportunities, courses, and cultural and artistic experiences for students throughout the Institute.