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17cҳ Tech 17cҳ Presents:
Chorale + Chamber Choir Joint Fall Concert

17cҳ Tech 17cҳ Presents:
Chorale + Chamber Choir Joint Fall Concert

Sunday, November 16th, 2025
2:30 pm
Central Presbyterian Church of Atlanta

201 Washington St. SW, Atlanta, GA 30303

B.E. Boykin, Chorale conductor

Joshua Palkki, Chamber Choir conductor

Zack Wright, Collaborative Artist

Binyue Deng, Pianist

Corey Raymond, Percussionist

SPECIAL THANKS/ACKNOWLEDGMENT
Thomas Dixon, Central Presbyterian Church & Arts of the Spirit 
"Arts of the Spirit" helps cover costs for nonprofit and school groups like 17cҳ Tech to give concerts at Central. We are extremely grateful for their support!

Program

Chorale

Ka Nna Yo Morena
  • This song is a gospel song of praise that translates - “Our eyes are strong and fighting for God’s glory.”
Setswana Traditional
John 3:16
B.E. Boykin
Non Nobis Domine
  • “Non nobis, Domine, non nobis; sed nomine tuo da gloriam”, is the well-known Latin translation of Psalm 115:1: “Not unto us, O Lord, not unto us; but to your name be the glory.”
Rosephanye Powell
The Rose
Ola Gjeilo
Mata del Anima Sola
  • Please see lyrics and translation below
Antonio Estévez
Soloist - Christian Escarment
Run to You
Pentatonix
arr. Kirby Shaw
More Waters Rising
arr. Adam and Matt Pod
Soloist - Anthony Alexander
Pianist - Binyue Deng
Percussion - Corey Raymond

Chamber Choir

(see lyrics and program notes below)

Deus in adiutorium meum intende
Juan Gutiérrez de Padilla (1590-1664)
Keenan Vaughn, soloist
American DREAMers
Melissa Dunphy (b. 1980)
  • 1. Marlene Part 1
Donaca Tamayo, soloist
  • 2. Dancing in buses
    Trigger Warning: This poem contains vivid imagery of violence and fear associated with armed conflict. It may be emotionally difficult for audience members—particularly those with lived experiences of migration, displacement, or trauma connected to state violence. Please take care of yourself while engaging with this material, and feel free to step away or pause as needed.
    • 3. Marlene Part 2
    Kailen McCauley, soloist
    • 4. More milk, more milk makes it better
    • 5. Marlene Part 3
    Benjamin Trussell, soloist
    • 6. #UndocuJoy
    • 7. Marlene Part 4
    Shae Staples, soloist
    • 8. #UnitedWeDream
    Ngothando
    • Featuring poems written and read by Tristan Smith and AJ Chadha
    Mbuso Ndlovu
    Nathan McAlpine, percussion 
    The New Colossus
    Saunder Choi (b. 1988)
    We Shall Walk Through the Valley in Peace
    Spiritual
    arr. Moses Hogan (1957-2003)
    Your Soul is Song
    Jake Runestad (b. 1986)

    Lyrics

    Mata del Anima Sola

    Text by Alberto Arvelo Torrealba (1905-1971) [Venezuela] 

    LYRICS

    TRANSLATION

    Mata del ánima sola, boquerón de banco largo ya podrás decir ahora aqui durmió canta claro. 

    pilin, pilin, pilin,.... 

    Con el silbo y la picada de la brisa coleadora la tarde catira y mora entró al corralón callada. pilin.... 

    La noche, yegua cansada, sobre los bancos tremola la crin y la negra cola y en su silencio se pasma tu corazón de fantasma. 

    Mata del ánima sola, ..... 

     

    Tree of the soul lonely, wide opening of the riverside long now you will be able to say: Here slept Cantaclaro. 

    pilin, pilin, pilin,.... 

    With the whistle and the sting of the twisting wind, the dappled and violet dusk quietly entered the corral. 

    pilin, .... 

    The night, tired mare, shakes her mane and black tail above the riverside; and, in its silence, your ghostly heart is filled with awe.

     

    Deus in adiutorium meum intende 

    Juan Gutiérrez de Padilla (1590-1664)

    LYRICS

    TRANSLATION

    Deus in adiutorium meum intende:

    Domine ad adiuvandum me festina.

    Gloria Patri, et Filio, et Spiritui Sancto.

    Sicut erat in principio,

    et nunc, et semper,

    et in saecula saeculorum. Amen.

    Alleluia.

     

    O God, reach forth to my aid;

    O Lord, hasten to help me.

    Glory be to the Father, to the Son, and to the Holy Spirit.

    As it was in the beginning,

    is now, and ever shall be,

    world without end. Amen.

    Alleluia!

     

    American DREAMers

    Melissa Dunphy (b. 1980)

    Text by Marlene Rangel, Javier Zamora, Janine Joseph, Julia Montejo, and Claudia D. Hernández

    LYRICS

    Marlene Part 1

    By Marlene Rangel

     

    I was eight years old when I left my home.

    I remember my parents waking me to leave,

    but I didn’t know where we were going.

    We had to walk for a long time

    and cross a river.

    That’s when I realized

    that we were going somewhere far.

     

    Dancing in Buses

    By Javier Zamora*

     

    Pretend a boom box

    blasts over your shoulder. Raise

    your hands in the air.

    Twist them as if picking limes. Look

    to the right as if crossing

    streets. Look to the left,

    slowly as if balancing orange

    baskets. Bend as if picking

    cotton. Do the rump. Straighten

    up as if dropping firewood. Rake,

    do the rake. Sweep,

    do the sweep. Do the Pupusa-

    Clap-finger dough clumps. Clap.

    Do the Horchata-Scoop—

    your hand's a ladle, scoop.

    Reach and scoop. Now,

    duck. They're shooting. Duck

    under the seat, and

    don't breathe.

    Hands behind your head.

    Drop down.

    Look at the ground.

    Roll over.

    Face the mouth of the barrel.

    Do the protect-face-with-hand.

    Don't scream.

     

    *"Dancing in Buses" from Unaccompanied. Copyright © 2017 by Javier Zamora. Used with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press www.coppercanyonpress.org. All rights reserved worldwide.

     

    Marlene Part 2

    By Marlene Rangel

     

    My dad would come to school with me

    for the first few weeks so I could get used to it.

    It was so hard...

    I had one classmate who was Hispanic.

    He and I became good friends.

    As the years passed, my English improved

    and I adjusted to the American culture.

    Everything had fallen into place

    and I was comfortable.

     

    More milk, more milk makes it better

    By Janine Joseph

     

    In 1986, when I was three and a half years old I won

     an award for sitting cute and biting into a slice

     of Kraft Cheddar Cheese. Then how my star blew up:

     

    I was on the cover of calendars, in the Sunday section,

     stomping the runway, turning down small parts

     in movies. At seven, I promised my mom I would never

     

    be chubby again. No way. I swirled a dress in the dressing

     room and was the daughter my brothers hated.

     Nothing could stop me, not even America with its rich

     

    marshmallow cereals. But the milk, oh God the grade A,

     vitamin D milk. No one knew what it was doing to me.

     Little Miss Piggy drinking 8 oz. by the kidney-bean pool.

     

    All my life it had been coconut juice, mango juice, and water. Little

     Miss Piggy mending her polka dot suit. It had been goat's milk

     and goat's milk. Little Miss Piggy clasping her knees to her chest

     

    and winning the cannonball contest. I was small, indomitable,

     and could hide behind the couch with a stein. It was the drink

     of all the saints. It was worth all my work in the world.

     

    Marlene Part 3

    By Marlene Rangel

     

    In my junior year of high school, reality hit me.

    I found out I could not go to college because I was undocumented.

    I wanted to be a nurse

    my dream wasn’t going to be easy to achieve.

     

    #UndocuJoy

    By Julia Montejo

     

    So today, remember that you are beautiful.

    You are creators, you are laughers, you are lovers,

    you are lights of hope and joy.

    Take the time you need to feel the pain.

    Know that even existing in the spaces you occupy is resistance.

    Know that, as we fight this battle for our dignity,

    you are souls of strength and power,

    but you’re allowed to feel vulnerable at times.

    Know that every moment of self-care you can find

    is still part of fighting this fight.

    Know that every time you paint your nails,

    dance in your room, eat a treat,

    laugh with your friends, run in the woods,

    or do anything that gives you joy,

    you are resisting a system

    that thinks we’re not worthy of even smiling.

    I believe in us.

    Together, we will overcome.

     

    Marlene Part 4

    By Marlene Rangel

     

    My parents have remained my motivation

    to keep myself in school.

    I now know that anything is possible.

    I have the opportunity to be what I want and do what I want.

    I have to take that opportunity and not waste it.

     

    #UnitedWeDream

    By Claudia D. Hernández

     

    Aquí estamos. [we are here]

    This is where we found our home away from home.

    This is where we belong.

    Mother Earth, who feeds us all,

    takes our roots,

    their roots,

    no matter how long,

    how short—

    she’s whispering:

    this is where you belong.

    R E S I S T! R E S I S T!

    Pelea con diente y madre! 

    [Fight with tooth and nail]

    This is where you belong, Dreamer!

     

    Ngothando

    Mbuso Ndlovu

    Featuring poems written and read by Tristan Smith and AJ Chadha

    LYRICS

    TRANSLATION

    Ngothando kuphela,

    Sonqoba konke,

    Izimo zonke,

    Azinakusigwinya.

     

    Sivul' iinhliziyo zethu,

    Singesabi lutho,

    Ngothando...

    Only through love, 

    can we conquer everything; 

    There is no situation 

    that can swallow us; 

     

    Let us open our hearts 

    and fear nothing!

    Through love only…

    The New Colossus

    Saunder Choi (b. 1988)

    Text by Emma Lazarus (1848-1887)

    LYRICS

    “Give me your tired, your poor,

    Your huddled masses yearning to breathe free,

    The wretched refuse of your teeming shore.

    Send these, the homeless, tempest-tost to me,

    I lift my lamp beside the golden door!”

    We Shall Walk Through the Valley in Peace

    Spiritual, arr. Moses Hogan (1957-2003)

     

    LYRICS

    1 We shall walk through the valley in peace;

    We shall walk through the valley in peace;

    If Jesus Himself shall be our Leader,

    We shall walk through the valley in peace.

     

    2 There will be no sorrow there;

    There will be no sorrow there.

    If Jesus Himself shall be our Leader,

    We shall walk through the valley in peace.

     

    3 There will be no dying there;

    There will be no dying there.

    If Jesus Himself shall be our Leader,

    We shall walk through the valley in peace.

    Your Soul is Song

    Jake Runestad (b. 1986)

    Text by Germán Aguilar 

     

    LYRICS

    Sing!

    When the seams burst,

    and the traps ensnare,

    and your body breaks,

    and the light flees—

    Sing then!

    For then, your soul is song.

    Program Notes for Chamber Choir

    This semester, Chamber Choir students have been studying and preparing a program of choral music that speaks to the immigrant experience in the United States. We begin with a double choir motet by Juan Gutiérrez de Padilla (1590-1664), a Spanish composer who re-located to modern day Mexico and who held prominent teaching and leadership positions in Puebla. The text speaks of a person who needs help and is reaching out for divine guidance.

    The majority of our program features American DREAMers, a 25-minute, 8-movement a cappella choral work in which Philadelphia-based composer Melissa Dunphy (b. 1980) sets poetry by 5 dreamers—immigrants who benefited from the government program, , that provides these individuals with protection from deportation and temporary work authorization. Most dreamers have lived the majority of their lives in the U.S., attend school here, and have strong ties to this country. Melissa Dunphy’s work uses four poems by Marlene Rangel as unifying pillars—four movements in which soloists sing her words accompanied by the choir. The work explores the harsh reality that immigrants face (Dancing in buses), the cultural differences that can cause confusion, sometimes comical, for those not born in the U.S. (More milk, more milk makes it better), the idea of lived experience as resistance to corrosive systems (#UndocuJoy), and a strong statement that “we are here and this is our home” (#UnitedWeDream). Perhaps the most profound statement in the work comes from the poem #UndocuJoy by Julia Montejo: “Know that even existing in the spaces you occupy is resistance. Know that, as we fight this battle for our dignity, you are souls of strength and power.” We hope that our performance of American DREAMers will uplift the voices of DACA recipients and other immigrants who, every day, little by little, make this country the multi-ethnic patchwork that has defined American greatness.

    We continue with a set of three pieces—vastly different in style, but which speak to the importance of love and welcoming the stranger. South African composer Mbuso Ndlovu’s Ngothando, which is sung in iZulu, wrote that “The song is a message to the rest of the world that it is only through love that we can conquer the barriers that stand between us, the poverty and disease that surround us. Let's open our hearts and not fear the unknown. Let's search deep within ourselves, knowing that we do have enough resources.” The beginning of the piece features two poems written and performed by Chamber Choir members Tristan Smith and AJ Chadha. Next, we perform Saunder Choi’s brilliant and complex setting of a portion of “The New Colossus” by Emma Lazarus—the poem found at the base of the Statue of Liberty in New York City. Choi’s rhythmic setting utilizes a rhythmic breathing figure to illuminate the text “yearning to breathe free.” The composer drew inspiration from Lady Gaga’s “Poker Face” about how text can be repeated and fragmented throughout. We close this set with Moses Hogan’s arrangement of the Spiritual “We Shall Walk Through the Valley in Peace.” Even in the face of adversity, one can find strength in hope of a better tomorrow. Hogan’s simple but brilliant setting textually and musically demonstrates how a higher power can sustain a person through the struggle of life and beyond.

    We close with Jake Runestad’s “Your Soul is Song,” a setting of a poem by Mexican-American immigrant Germán Aguilar (1979-2014), a choral conductor-teacher in Arizona and California (and graduate school classmate and dear friend of Dr. Palkki)  before his tragic death at age 34. Composer Jake Runestad wrote, “After a difficult time in his life, Germán wrote this poem — a plea to the power of song and weathering the storms of life. Germán died of a massive aneurism in the middle of a concert, while he was singing, and I can't move beyond that image and the meaning it brings to these words. Life is not easy, and is never perfect, but there is so much beauty and joy to be found in song.”

    We hope that these stories inspire you to reflect on the complexity of the immigrant experience in the U.S. today. Emma Lazarus’s poem so poignantly reminds us of the welcoming spirit of the U.S. towards those from other places: “Give me your tired, your poor, Your huddled masses yearning to breathe free.”

    Ensemble Members

    Chorale

     

    Name

    MajorHometown
    Soprano 1  
    Annice StephenComputational MediaSuwanee, GA
    Erica LandryComputer Engineering and Music TechnologyAtlanta, GA
    Lily JohnsonAerospace EngineeringLos Angeles, CA
    Rhea SaravananComputer ScienceSuwanee, GA
    Zoila de LeonAerospace EngineeringNorth Miami, FL
    Mayce HollandBiomedical EngineeringCalhoun, GA
       
    Soprano 2  
    Amisha KapoorElectrical EngineeringColumbus, GA
    Cyra AleshaIndustrial EngineeringJakarta, Indonesia
    Juliana BluhmAerospace EngineeringAthens, GA
    Madison SanfordAerospace EngineeringAcworth, GA
    Ritika BhardwajInternational Affairs, BiologyDunwoody, GA
    Shannon LeahyMechanical EngineeringBuford, GA
       
    Alto 1  
    Biana AkpokabayenMathematicsJohannesburg, South Africa
    Clara StickneyPhysicsRichland, WA
    Isabella HsiungComputational MediaSuwanee, GA
    Meghan McLaughlinEnvironmental Science, Chemistry & BiochemistrySt. Louis, MO
    Meghana JonnalagaddaInternational Affairs & Modern LanguagesFrisco, TX
    Nalini KotechaBiomedical EngineeringSan Mateo, CA
       
    Alto 2  
    Lana RevereEnvironmental ScienceNewnan, GA
    Sofia PietonChemical EngineeringWaunakee, WI
    Tomi OladejiBusiness AdministrationAlpharetta, GA
       
    Tenor  
    Caleb SpainMusic TechnologyBethlehem, GA
    Christian EscarmentBusiness AdministrationBuford, GA
    DB LeeComputer ScienceMarietta, GA
    James HammockMusic TechnologyKite, GA
    Olasubomi Adewale AjayiComputer ScienceDallas, GA
    Owen CarrollChemical EngineeringRoswell, GA
       
    Baritone  
    Vivvianne PhieirethMusic TechnologyWoodstock, GA
    Anthony AlexanderMusic TechnologGrayson, GA
    Joaquin FriedmanMechanical EngineeringAlpharetta, GA
       
    Bass  
    Ben OffenbergMathematicsCanton, GA
    Shyam SivanAerospace EngineeringSuwanee, GA
    Yadiel Narvaez HernandezAerospace EngineeringRio Piedras, Puerto Rico
    Younos HashemPhysicsRoswell, GA
    Advaith NairChemical EngineeringCumming, GA

     

    Chamber Choir

    NameMajorHometown
    Soprano
      
    Kathryn Amstutz
    Chemical and Biomolecular Engineering
    Alpharetta, GA
    Rini Bokil
    Computer Science
    Alpharetta, GA
    Samantha Khanimov
    Music Technology
    Canton, GA
    Christine Ling
    Analytics
    Basking Ridge, NJ
    Neharica Mehendale
    Industrial Engineering
    Dallas, TX
    Oreoluwa Moradeyo
    Electrical Engineering
    Lagos, Nigeria 
    Donaca Rose Tamayo
    Physics
    Marietta, GA
    Angelina Tong
    Chemical and Biomolecular Engineering
    Suwanee, GA
    Abigayle Williams
    Environmental Science
    Warner Robins, GA
    Caelan Wommack
    Aerospace Engineering
    Lorton, VA
    Jean Zhao
    Computer Engineering
    Beijing, China
       
    Alto
      
    Isadora Bokas
    Aerospace Engineering
    Cornelius, NC
    Emma Cameron
    Biomedical Engineering
    Augusta, GA
    Sophia Hawkins
    Industrial Engineering
    Sandy Springs, GA
    Femke Kovoor
    Electrical Engineering
    Potomac, MD
    Caroline Maxwell
    Industrial Engineering
    Bonaire, GA
    Nolan Midura
    Chemical Engineering
    Palos Hills, IL
    Kelsey Moller
    Chemistry
    Flowery Branch, GA
    Kendall Simmons
    Industrial Engineering
    Columbus, GA
    Shae Staples
    Economics
    Peachtree City, GA
    Sof Zambrano Molina
    Music Technology
    Mexicali, Mexico
       
    Tenor
      
    AJ Chadha
    Computer Science
    Chicago, IL
    William Dunn
    Music Technology
    Mount Pleasant, MI
    Elijah Johnson
    Industrial Engineering
    Dacula, GA
    Kailen McCauley
    Computer Science
    Williston Park, NY
    Owen Hammond-Lee
    Mathematics
    Decatur, GA
    Keenan Vaughn
    Mechanical Engineering
    Augusta, GA
    Fangji Wang
    Robotics
    Tianjin, China
       
    Bass
      
    Samuel Barnett
    Economics
    Alpharetta, GA
    Paul Conner
    Computer Science
    Augusta, GA
    Eddie Hamilton
    Business Administration
    Moultrie, GA
    Justin Hwang
    Computer Engineering
    Sunnyvale, CA
    Tejas Kohli
    Computer Science
    Duluth, GA
    Nathan McKee
    Materials Science and Engineering
    Kennesaw, GA
    Simon Renjifo
    Neuroscience
    Atlanta, GA
    Rajan Singh Sandhu
    Electrical Engineering, Mathematics
    New York, NY
    Tristan Smith
    Chemical and Biomolecular Engineering
    Bonaire, GA
    William Dwayne Starkey III
    Mechanical Engineering
    Flowery Branch, GA
    Benjamin Trussell
    Mathematics
    Kennesaw, GA
    William Tyler
    Mechanical Engineering
    Kennesaw, GA

     

    17cҳ Tech 17cҳ

    Through interdisciplinary degree programs, outstanding performance ensembles, and innovative research endeavors, the 17cҳ Tech 17cҳ cultivates a rich legacy of musical traditions and develops cutting-edge technologies to help define music's future. The School serves students in bachelors, masters, and doctoral programs in music technology and offers innovative performance opportunities, courses, and cultural and artistic experiences for students throughout the Institute.